The 3.5in x 2in rectangle is tried and true, but it’s worth reconsidering if a different shape may better communicate your business – and make an even bigger impact.
La Charcuterie, a gourmet deli and restaurant in Vancouver, uses circular cards that resemble slices of salami. Brilliant!
One drawback to the circular card concept, however, is holding it. It surely won’t get lost in a stack of traditional cards, but it also won’t fit in a traditional card holder or wallet. Depending on your business, this may or may not be a big problem, but there may be a solution. The cards below fold and tear, respectively, to help them travel a bit easier with their rectangular companions.
Other cards can take shapes of their own that still fit within the traditional dimensions using simple die-cuts.
Though e-commerce makes up just a fraction of total retail sales, that fraction is steadily and rapidly increasing – online business is booming, we know this. But what you may not know is that printed catalogs are one of the most influential sources for information when making online purchases. Print catalogs are even more influential in driving online sales than some online channels.
According to Sarah Knup, head of strategy and marketing at childrenswear brand Tea Collection, “We see the catalog as more relevant as a true storytelling and brand piece… You don’t get the same feeling when you’re flipping through a PDF.” Catalogs are making a comeback, with many retailers increasing their catalog spend. Even online-only retailers are beginning to mail catalogs of their own. The investment is a wise one – research by the US Postal Service shows that online shoppers who receive a catalog piece spend 28% more than those who don’t.
Just take a look at Zappos Life. Though Zappos is an online-based retailer, per-transaction sales from its catalog are twice that of the website.
A study of the world’s top 100 brands revealed that blue is the most popular color (33%) for a brand’s logo. Why? If you ask Mark Zuckerburg, he chose the color for Facebook because he is red-green color blind. Of course, that’s probably not why it’s the most popular color for brand logos worldwide… Research has shown that color influences 60-80% of purchasing decisions.
The color(s) you use to communicate become an identifiable part of your brand. Though some color associations vary culturally, blue is typically symbolic of trust, dependability, security, responsibility, and credibility; it’s also considered to be tranquil and professional. Some color choices are better than others depending on your industry – for example, blue is very popular for corporate, technology, and financial brands.
Red is another popular color (29%) that conveys very different feelings, associated with energy, intensity, and excitement – think Virgin, Target, Budweiser, Coca-Cola. A combination of red and blue conveys something else altogether: patriotism.
Other colors and their general associations:
Orange: warmth, energy, enthusiasm
Yellow: optimism, energy, creativity
Green: nature, peace, wealth
Purple: sophistication, creativity, spirituality
Black: prestige, sophistication, power
Grey: balance, conservatism, seriousness
White: purity, cleanliness, softness
While most methods of communication have gone digital, the traditional business card is proving to be surprisingly resilient. What originated in the 17th century as a method of announcing visitors has held its own to the tech-heavy present-day – but why?
Though a business card is tangible, it also has a number of intangible benefits. As the Boston Globe suggests, “Entrepreneurs who must fight to be taken seriously by prospective customers and investors talk about the sense of legitimacy they get from seeing their names and titles printed on quality card stock. They say that in the startup world — where businesses often don’t last long — it’s nice to hold something that feels kind of permanent.” Similarly, Print Media Centr’s Sandy Hubbard notes, “a printed business card still conveys credibility.”
In a way, business cards have also evolved to present more than just names and numbers. Graphic designer John Date refers to the exchange of business cards as “an experience… It’s become much more of a portfolio piece then it was in the past.”
A few things to consider in designing your next business cards:
Name, company, title… there are a lot of pieces of information you could include on a business card, but stick with the most valuable. What’s the best way to get in touch with you? Do you even use a fax machine? Choose the information you most want to share. If you include too much text, it may become difficult to read.
Once you know what text you want to include, think about what kind of typeface would be best to present it. Choose a font that is readable and matches the tone of you and your business.
Paper comes in a variety of finishes – smooth finish is typically the most popular. Of course, almost anything is possible. If it works for your business, you don’t even have to print on paper, nor do you have to stick to the traditional 3.5in x 2in size and shape.
You’ll likely want to include your logo on your card. How much card real estate will you devote to it? What color is it? What font is it? Make sure your logo is identifiable and works well with the font you’re using for the rest of your content. If you choose to use a color on your cards – or print on colored paper – make sure you choose a color that suits your logo and text and is still easy to read.
Image of Neenah Paper business card via Fey Printing.
EXHIBITOR Magazine has collected the following 10 expert opinions on promotional products.
Brochures are possibly the most flexible and hard-working of your marketing collateral. They can help initiate a sale or close one; they can be sent in the mail or handed out face-to-face. As John Treace wrote for Inc., “One of the biggest sales I ever made was initiated in an elevator with a brochure that I happened to have in my pocket.”
To showcase a configurable furniture collection, Miller Brooks created this brochure for Kimball Office.
This brochure for TVNZ 7 (Television New Zealand) literally unfolds to form the brand’s “7” logo.
Audi’s engaging centennial piece, when ripped open, features a timeline of the brand’s history.
To celebrate Pratt Institute’s 125th anniversary, this brochure includes die-cut pop-ups of iconic artists and their designs.
A [trade show] booth without a giveaway could be viewed as heresy…
That’s a quote from trade show specialist Janice Breuer. Lest you be viewed as a heretic, define your strategy for promotional giveaways.
Giveaways will attract attendees to your booth… it’s then your job to determine if they are qualified leads. Eighty-one percent of attendees have buying authority, and you can probably imagine how many pens they’ve already accumulated. Increase memorability with a limited run of more expensive giveaways exclusively for more engaged, qualified visitors. Higher quality items can also be a great giveaway for existing customers – after all, they are special.
Ninety-two percent of attendees go to trade shows to discover new products. A great way to ensure your product is remembered post-show is to include a sample as a giveaway.
What’s the greatest giveaway you have in your arsenal? Or – better yet – what’s the most memorable giveaway item you’ve ever received?
Image via ePromos.